Directed by :Khalid Rahman
Written by:Khalid Rahman,Sreeni Saseendran
Dialogues by:Ratheesh Ravi
Produced by:Khalid Rahman,Jobin George,Sameer Karat,Subeesh Kannanchery
Starring:Naslen,Lukman Avaran,Ganapathi S.Poduval,Sandeep Pradeep,Anagha Ravi,Franco Francis,Baby Jean,Shiva Hariharan
Cinematography:Jimshi Khalid
Edited by:Nishadh Yusuf
Music by:Vishnu Vijay
Production companies:
Plan B Motion Pictures,Reelistic Studios
Release date:10 April 2025

Alappuzha Gymkhana is a 2025 Indian Malayalam-language sports film directed by Khalid Rahman, who also co-wrote the screenplay with Sreeni Saseendran, with dialogues by Ratheesh Ravi. The movie stars Naslen, Lukman Avaran, Ganapathi S. Poduval, Sandeep Pradeep, Anagha Ravi, Franco Francis, Baby Jean, and Shiva Hariharan.

Khalid Rahman’s latest film, a departure from his previous outing, Alappuzha Gymkhana, showcases impressive technical brilliance that entertains the audience. The youthful casting is pitch-perfect for the characters, and the actors bring a level of physicality to their roles that is evident on screen. Anagha and Ganapathy shine as boxers, delivering standout performances. Naslen’s comedic timing and one-liners add to the film’s entertainment value.

The sports drama boasts a feel-good vibe, youthful appeal, catchy music, and an engaging plot. Although the second half relies on some familiar clichΓ©s, the film’s final act is well-executed, bringing the story to a satisfying conclusion. Overall, Khalid Rahman’s ability to balance technical expertise with youthful energy and catchy storytelling makes for an enjoyable watch.

The film’s strengths lie in its casting, music, and engaging plot, which, despite some predictable moments, culminate in a satisfying finale. With its feel-good atmosphere and standout performances, this sports drama is sure to appeal to audiences looking for an uplifting cinematic experience.

Bottomline

This sports drama has a feel-good vibe and stands out with its youthful appeal, catchy music, and an engaging plot& cliched breaking second half, culminating in a well-executed final act.